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Naples, at the San Carlo Theater Aida is staged in the historic staging by Ceroli-Bolognini, starring Anna Netrebko and Yusif Eyvazov
He directs Michelangelo Mazza on his debut on the podium of the San Carlo, the direction is taken up by Bepi Morassi

San Carlo Theater Foundation Presenta

To the San Carlo Theater from 15 to 26 February 2022 the highly anticipated one goes on stage for 7 performances Aida with the pair of stars Anna Netrebko is Yusif Eyvazov in the leading roles. The famous work of Giuseppe Verdi, performed for the first time on 21 December 1871 in Cairo, will be re-proposed in historic staging of the La Fenice Theater directed by Mauro Bolognini - taken from Bepi Morassi - the scenes of Mario Ceroli and the costumes of Aldo Buti made available by the Historical Archive of the Cerratelli Foundation of Pisa.

The successful production of La Fenice, also remembered for having marked Giuseppe Sinopoli's debut as an opera conductor, was staged for the first time in 1978 and experienced several resumptions in numerous theaters in Italy and abroad. Re-proposed in 2019 on the Venetian stage, refurbished, with the updated lighting design by Fabio Barettin and choreography by Giovanni Di Cicco, now arrives in Naples under the direction of Michelangelo Mazza, on the podium debut of the Neapolitan Opera.

The vocal cast, with the star, is top notch Anna Netrebko in the role of Aida is Yusif Eyvazov in that of Radames (alternating with Liudmyla Monastyrska is Stefano La Colla in the performances of February 17, 20, 23, 26), Ekaterina Gubanova in the part of Amneris (alternating with Agnieszka Rehlis on 17, 20, 23) and Franco Vassallo like Amonasro. They complete the cast Nicolas Testé, Ramfis, Mattia Denti, The King of Egypt, Desirée Migliaccio, A priestess, and Riccardo Rados, A messenger.

Orchestra, Chorus and Ballet of the Teatro di San Carlo, the Choir instructed by José Luis Basso, the Ballet directed by Clotilde Vayer.

*

This is an opportunity of great interest not only for the performers on the poster, but also to get to know this particular staging live, which is the polar opposite of the Arena's blockbuster tradition, focusing on the drama of the characters with an almost 'intimistic' cut, more than on the exuberant grandeur of the environmental description.

Mario Ceroli (Castel Frentano 1938), the great sculptor and scenographer well known for his extraordinary wooden silhouettes, created a scene of strong impact, anti-naturalistic and stylized, of great evocative power: a structure divided into two superimposed levels, the upper one being the place of power and its rites, with the iconographic elements of classical Egyptology - pyramids, sphinxes - rarefied by a purification of the almost abstract sign, and the lower level that welcomes the world of the defeated in the half-light.

Naples, at the San Carlo Theater Aida is staged in the historic staging by Ceroli-Bolognini, starring Anna Netrebko and Yusif Eyvazov

Interpreters

Director Michelangelo Mazza

Direction Mauro Bolognini
Director for shooting Bepi Morassi
Scenes Mario Ceroli
Costumes Aldo Buti
Choreography Giovanni Di Cicco
Lights Fabio Barettin

Interpreters

Aida
Anna Netrebko♭ (15, 18, 21)
Liudmyla Monastyrska♭ (17, 20, 23, 26)
Radamès
Yusif Eyvazov (15, 18, 21)
Stefano La Colla (17, 20, 23, 26)
Amneris
Ekaterina Gubanova (15, 18, 21, 26)
Agnieszka Rehlis♭ (17, 20, 23)
Amonasro Franco Vassallo
Ramfis Nicolas Testé
The King of Egypt Mattia Denti
A priestess Desirée Migliaccio
A messenger Riccardo Rados

♭ debut at the Teatro di San Carlo

Orchestra, Chorus and Ballet of the Teatro di San Carlo
Choir director José Luis Basso
Director of the Ballet Clotilde Vayer

Staging of the Teatro La Fenice Venice
Costumes from the Historical Archive of the Cerratelli Foundation

Program

Giuseppe Verdi

Aida
Opera in four acts
libretto by Antonio Ghislanzoni
from a subject by Auguste Mariette

Replicas

February 15 at 8pm
February 17 at 8pm
February 18 at 5 pm
February 20 at 5 pm
February 21 at 8pm
February 23, 6 pm
February 26, 7 pm

Who organizes

Author: Sabine Frantellizzi

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