The ballet is based on the poem in verse
The Corsair of
Lord Byron, published in
1814, a partially autobiographical work of extraordinary success, which immediately sold out the first printing of 10,000 copies. Extremely popular throughout the nineteenth century, the poem inspired - in addition to various ballets and pantomimes - also
The Corsair, melodrama of
greens (1848).
The Corsair has a rather complex history: the ballet corpus has gone through a very long time span passing through the hands of numerous choreographers and composers who have added, modified and invented. In the
1826 in Milan It is in the
1837 in London two first versions appear on the scene, respectively
The Corsair of
Giovanni Galzerani is
The Corsair of
Ferdinand Albert, in which the adventurous stories of the slave Medora and the corsair Conrad are narrated. The reference version, mother of all the others, is to be considered the one created in
Paris in
1856, with the choreography by
Joseph Mazilier and the music of
Adolphe Adam, great success of the theatrical scenes of the Second Empire, in which the talent of the Italian dancer shone
Carolina Rosati in the role of Medora. Two years later it was reassembled, with additions and modifications, to
St.Pietroburgo from
Jules Perrot, dance teacher at the Imperial Theaters, with the support of
Marius Petipa, then principal dancer. Petipa, with the passage of time and with the advancement of his career, curates a new version in
1863 - adds some dances to the notes of
Cesare Pugni, composer of the Imperial Ballet - who in
1899 turns into a more complete one with a new pas de deux on music by
Riccardo Drigo. In the twentieth century, exactly in
1931, the ballet is revived by
Agrippina Vaganova, but without success. In
1955 Pyotr Gusev proposes a more streamlined version and in the
1973 Konstantin Sergeyev creates a new staging for the Kirov Ballet. In
1987 a new version is born
Gusev-Slonimsky for the Mariinsky Theater Ballet. In
1998 arrives in the United States and in
2007 in Europe.