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Headphones for classical music: from €100 to your mortgage

The program
The focus of the billboard are the four evening concerts (9.15 pm) with the participation of European-level groups and with very particular and often rare musical programs: the 2 September in Cloister of the Museum of the Twentieth Century, the ensemble Dramatody of Alberto Allegrezza proposes Babylon: characters, masks and various speeches in 16th century Italy with music by Filippo Azzaiolo, Giulio Cesare Croce, Orazio Vecchi, Andrea Gabrieli, Annibale Padovano and others; the September 7 in the magnificent Michelozzo Library at the San Marco Museum it will be the turn of Hommage in Tarquinia Molza (1542 – 1617), poet, intellectual and musician from Modena; of scene Giovanna Baviera: mezzo-soprano, viola da gamba and artistic direction, again Alberto Allegrezza (tenor and recorder) e Michele Vannelli on the harpsichord. In the program the music of Tarquinia Molza stands out on the one hand, and on the other his verses sung by Palestrina, Ingegneri, Primavera. Sunday September 10 in the'Auditorium of Sant'Apollonia the ensemble will be the protagonist L'Homme Armé, organizer of the event: on the occasion of the fortieth anniversary, with the direction of Fabio Lombard presents a program linked to your name. The melody L'homme armé, taken from a Burgundian song, represents a unique case in Renaissance music for the large number of reworkings including those by the masters of classical polyphony Antoine Brumel, Josquin Desprez, Jean Mouton, Ninot Le Petit, proposed in the program; the September 13 back to San Marco Museum for The humanist lute: Improvisation and magic in Leonardo's Italy, with the lutenist Bor Zuljan engaged in music by Ambrosio Dalza, Vincenzo Capirola, Johannes Ockeghem, Bartolomeo Tromboncino. Considered by humanists as Orpheus' lyre, at the end of the 15th century the lute became the instrument of choice for European courts. FloReMus 2023 also reserves a special space for young Italian musicians who are making their way in this musical sector; they are the protagonists of the so-called Concerts à boire, mostly scheduled at aperitif time and in places of notable interest, almost all outside the historic center and adjacent to venues that can offer the opportunity for a convivial moment. The performers of the 6 concerts à boire were selected based on the specificity of the proposals presented. Aiming to intertwine music with various cultural aspects of the era, the festival combines concerts with conversations of high dissemination with renowned specialists, almost all held at the Oblate Library at 6pm. The topics touch on themes related to music, history, art and Renaissance culture with a particular focus on Florence and Tuscany; still worth mentioning is the screening of the film The Master of Notes – Josquin Desprez, written and directed by Marco Zarrelli, on 12 September at the Astra Cinema. Finally, the program is completed by two very interesting workshops: Strategies and deceptions of the senses and the intellect in the musical experience of the Renaissance, edited by Ida Maria Tosto (September 3) e Transforming songs. Small poetic-musical workshop between Bob Dylan and Lorenzo the Magnificent, edited by Gianni Guastella is Fabio Lombardo (September 17);