Alessandro Cadario he is among the young Italian orchestra conductors a figure who receives ever greater acclaim and interest from the public and critics. Eclectic musician in the repertoire and attentive to the executive practice of the different styles, his characteristic note is meditated and convincing interpretations.
Since 2016 he has been the principal guest conductor of the I Pomeriggi Musicali Orchestra in Milan.
He has conducted in the seasons of the main Italian and international opera houses and festivals, climbing on the podium of important orchestras including the Orchestra of the Mariinsky Theater, the Orchestra of the Teatro Regio of Turin, the Monte-Carlo Philharmonic Orchestra, the Filarmonica della Fenice, the Tatarstan National Symphony Orchestra, the Orchestra of the Teatro Comunale of Bologna, the Orchestra of the Carlo Felice Theater, the Orchestra of the Teatro Lirico of Cagliari, the ORT.
He completed his orchestral conducting studies with full marks at the G. Verdi Conservatory in Milan, perfecting himself with two diplomas of merit at the Chigiana Academy of Music in Siena. He also obtained a diploma in violin, a degree in choral conducting and in composition.
She definitively attracted the attention of insiders in 2014, on the occasion of her debut at the Società del Quartetto in Milan and, in 2015, at the Maggio Musicale Fiorentino with Tom Thumb by Henze and at the Petruzzelli Theater in Bari, where she was particularly appreciated Rossini's interpretation (“Stabat Mater: with Cadario he is a great Rossini”, headlines the Gazzetta del Mezzogiorno).
Also in 2015 he made his debut at the Teatro alla Scala in Milan on the occasion of the Festival of international orchestras.
In 2016 he took the podium of the City Chamber Orchestra of Hong Kong for Mozart's Great Mass in C minor K.427, on the occasion of his debut in China and the same year he conducted two works at the Venice Biennale at the MITO SettembreMusica Festival.
He was chosen by the Presidency of the Senate to conduct the prestigious 2017 Christmas concert - live on RAI 1 from the Senate Hall.
In 2018 he made his debut in the symphonic season of the Mariinsky Theater in St. Petersburg and the Teatro Regio in Turin with Verdi's Four Sacred Pieces.
In 2019 he directed Norma at the Croatian National Theater in Rijeka, La Cenerentola and The Nutcracker at the Teatro Massimo in Palermo. He also inaugurated the symphonic season of the Arena di Verona Foundation with Cimarosa's Missa Pro Defuntis.
He has conducted soloists such as Katia and Marielle Labèque, Gautier Capuçon, Mario Brunello, Giovanni Sollima, Francesca Dego, Giuseppe Gibboni, Olga Peretyatko, Vittorio Grigolo, Francesco Meli.
In addition to the classical repertoire, Alessandro Cadario turns his attention to contemporary music which he interprets with particular dedication, given his dual nature as director and composer. His compositions have been premiered at New York's Lincoln Center, Darmstadt Opera House, and Taipei's National Concert Hall. He has conducted numerous world premieres of authors such as Ivan Fedele, Carlo Galante and Marco Tutino.
In the 2020-2021 season he made his debut at the Rossini Opera Festival with Il Viaggio a Reims, conducted Elisir d'amore and a new production of La Serva Padrona / Trouble in Tahiti at the Teatro Carlo Felice in Genoa. In the current season he made his debut at the Royal Opera House in Muscat, at the 48th Valle d'Itria Festival and returned to the podium of the orchestra of the Teatro Regio in Turin and the Teatro Massimo in Palermo.
Upcoming engagements include the debut on the Tuscan circuit with Mozart's Don Giovanni, the return to the Royal Opera House in Muscat, the Teatro Massimo in Palermo, the Teatro Filarmonico in Verona and the return to the Maggio Musicale Fiorentino season with the performance of Jeanne Dark by Fabio Vacchi.
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(Alessandro Cadario, photo by Lorenza Daverio and Marco Nirmal Caselli)
